SUNDAY JULY 5th: picture updates.

 

floodwater_oilpainting

Slimbridge Water, Gloucestershire: oilbar on paper 12x12 inches

 

Landscapes gallery has been updated with the three new oils/oilbar paintings; Rhyne Water, Slimbridge Water and Coastpath by Croyde. I've decided that they are all now sufficiently surface-dry to handle safely, so they're in the gallery. Frames will be available for two of them, if desired. In progress is another oils-and-oilbar painting (that's two now on the go) and I have also just completed a small pastel landscape. Floral work has taken a back seat at the moment; in all fairness most of my webstats show that the landscape gallery is visited more frequently than the floral one, but it will not be ignored...it's just that the outward roll of work right now is very much on the land and seascape theme and one has to "go with it". Experimental playtime has yielded two acrylic pieces using a monotype process; I will place those in the new Archive Gallery in due course. In the same gallery a small collection of ACEO images has been added, in a new album.

 

TUESDAY JUNE 30th: new gallery.

 

I have added a new gallery to the website, which is actually more of a sub-domain; you can access it at https://christinederrick.com/archivepics.html. It contains examples of my experimental methods and playtime-work, many of which were included on the old Wordpress blog but were removed when I abandoned the Wordpress platform. There are images on gessoed paper, some abstracts, some textured acrylics, and so on. Each image has a brief description added below it, to describe what was done to make the picture. I'll add to it on occasions; and it'll be a gallery of mixed ideas. They won't necessarily be for sale though; if I do decide to offer any of them, they'll be moved to the main galleries.

 

FRIDAY JUNE 26th 2020

 

coast_sea_oilpainting

Coastpath by Croyde, Devon: oilbar on paper 15x10 inches.

 

Just starting a fourth oilbar painting. Here's the third one...oh, what happened to the second one? Nothing...I photographed it yesterday but the photo didn't come out as well as I'd hoped, so I'm having to do it again today. This is a coastal-scape, worked from a photo taken along the coast from Croyde Bay, Devon. I was a bit unsure how I would tackle the seawater, but found that the prussian blue and lemon-yellow oilbars gave me sufficient green-ness that I could modify here and there to create other subtleties with tube-paint. I am finding oilbars ideal for working these broad landscapes. The fourth picture currently in progress is being done on a gessoed board, it's actually one of Jackson's Art supplies' own brands. So, a rigid surface as opposed to paper. All oilbar works take a time to dry, so they won't be made available just yet. My soft pastels have been lying idle for several weeks, however I am not too perturbed by this because I already have subjects in mind to try out. I may well try the same subjects in oilbars as well. With no pressures for exhibition entries, I am doing a lot of experimenting and just seeing what happens. If the results are unexciting then I just move on to another piece.

 

WEDNESDAY JUNE 17th 2020

 

Other home matters have kept me away from painting for a number of days. I have however completed a second oilbar painting with a third now in progress. The first one mentioned under June 5th has been photographed...I need a better image for the website gallery but this'll do for now, because it's still not dry enough for sale anyway.

rhyne_oilbar_painting

Rhyne Water, Somerset: oilbar on paper 12x12 inches

 

Simple landscape consisting of a large sky, broad and simple river banks and a stretch of water. Worked with ultramarine blue, cadmium yellow, prussian blue and cadmium red oilbars; plus white; and the inclusion of tube oilpaint from Light Red, raw sienna and cadmium yellow light. Painted on Arches Huile paper, 12x12 inches. The mix of oil and wax takes rather longer to "set up" (dry) but this piece will be ready to frame in probably a couple of months' time. I put mine under glass, usually, with a mountboard, to keep the painted surface away from the glass. I don't use varnish on this particular paint combination.

FRIDAY JUNE 5th 2020

New items "Sundown in the Bay" and "Summer Heat" in floral and landscape sections. During the past week or so I have been revisiting a rather messy medium called oilbars. They are formed from proper oil paint and a percentage of wax, to create a stick of paint. They look rather like large sticks of pastel, but behave quite differently from the dry medium. The artist literally draws directly on the paper or board with the oil/wax stick....no brushes necessary. I have been rather determined to get them to work for me, because it is a way of oil-painting without the brushes and more closely resembles how I use my standard dry pastels. The subject needs to be quite "broad" (i.e no fiddly details). I have one completed and will post up when it's surface-dry.

SATURDAY MAY 23RD 2020

Several new pieces nearing completion. "Hazy Coast Minehead" in pastel; and two oils which are near enough done but, of course, won't be ready to go online until they are dry. I haven't added anything new in the way of flower pictures recently; I have had a "surge" of landscape ideas, so have been concentrating on those instead. Things come around and go around. A still life from a couple of years back, Glass Eggcup, has now found a new home and has been added to the Sold page.

SATURDAY MAY 16th 2020

Trying to paint positively under the current UK police state is very difficult at times. I am afraid of nothing, by the way, but am just incredulous at the sheer madness that has gripped the country. Despite this, I am pleased to be finding some of my practise with new pastel techniques is paying off. I am making between one and two new works each week; which might not sound much but, as a generally slow painter, this is pretty good for me. As well as pastel, I have also launched back into oil painting, completing (near enough) a new piece on Arches oil-paper and a small landscape on gessoed board. I have re-acquainted myself with Winsor and Newton's alkyd oil paints, which allow fast lay-in of a picture and a pleasant semi-translucent finish after a couple of coats. It dries quickly too, permitting continuation of the work (with either alkyds or traditional oils) the next day. I have also spent too much money on new painting panels! (grin). I am thankful for painting....it is keeping me reasonably strong and focused. I recommend it, or indeed any handicraft, for these aggravating times.

THURSDAY MAY 7TH 2020

Plans for pastel paintings and their delivery. I have always been able to successfully deliver pastel paintings in an UNframed condition, to buyers both in the UK and overseas. My pastels are rarely large ones so this isn't too difficult. Some potential buyers may be put off by the fact that they aren't framed, so here is what I do and suggest:

An unframed pastel is first of all protected with glassine paper (rather like a tracing paper), over the coloured surface. It is then sandwiched between another sheet of strong paper and finally sandwiched again between two strong boards...either foam or mdf or hardboard. These boards are then taped tightly together, both vertically and horizontally. This prevents the pastel from sliding around during transit. The package is then wrapped again in bubblewrap (I try not to use too much), and finally boxed, ready for sending.

Buyers are encouraged to keep their pastel safely within these boards until they can get it framed. Once behind glass, job done, the pastel will remain bright and fresh and be protected from damage. Despite seeming vulnerable, pastel is actually a permanent medium; Rembrandt's works from past centuries are still in good order.

As for FRAMED works, there are a few little issues. I can and have sent small works complete with frame and glass. However, carriers are getting more and more fussy about glass and at some point I may have to stop. BUT....there is a solution. I am looking into using acrylic sheet as a TEMPORARY cover for my framed work, for posting. This will allow the buyer to get the work glazed at "their end". I would thoroughly recommend glass as opposed to acrylic sheet, for one main reason; CLARITY. Acrylic sheet does not transmit light as effectively as glass, and can make pastel colours a little dull.

So, I hope this will help potential buyers when looking at pastels. They CAN be delivered!

SUNDAY MAY 3rd 2020


A few days ago I ditched the Wordpress blog installation because it was occupying too much of my time. Having run the blog for a few years, I felt it wasn't offering any particular advantage...I'd be better off just painting....so that's what I've done. So now, I'm just going to keep a small Updates page, like this, to detail any new pictures or changes.

I am already a gallery member with Original-Art-Under100.com; and am now also a member with ArtGallerySW.co.uk. I decided I now had enough paintings to cope with two outlets, so during this crazy virus lockdown period I have gotten on with it; preparing new work, uploading, updating and also bringing in a few floral digital prints....see the prints and products page. I can't hold large stock numbers, so this is just a start....see how it goes.

All the traditional annual art shows have been cancelled....it's an utterly miserable time...and especially tricky when one is trying to do landscapes....just can't get out and about anywhere, so the reliance on photographs is essential. That's it for now. This will be the Updates page and I'll place a link to it on the other main pages as soon as I can.



email chris [at]christinederrick.com